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    Cover for COLORING THE CANON: THE REVISIONIST WORK OF MICKALENE THOMAS

    COLORING THE CANON: THE REVISIONIST WORK OF MICKALENE THOMAS 

    Skeen, Kelly (Georgetown University, 2018-04-19)
    American art museums have long been elite, white, male dominated spaces where white, Euro-American women have appeared as merely muses or subjects of artworks. Rarely are women of color represented in the museum in artworks ...
    Cover for WE'VE BEEN IN FORMATION: BEYONCÉ'S POLITICAL VOICE THROUGH BLACK MUSICAL RESISTANCE

    WE'VE BEEN IN FORMATION: BEYONCÉ'S POLITICAL VOICE THROUGH BLACK MUSICAL RESISTANCE 

    Browne, Juliette (Georgetown University, 2018-04-19)
    You may have known her as a member of Destiny’s Child. You make have known her as the singer behind “Halo” and “Single Ladies.” You may know her as the wife of rapper Jay-Z. However, this senior thesis illuminates Beyoncé ...
    Cover for WE MADE LEMONADE: BLACK WOMEN, SYNCRETIC RELIGION, AND VOODOO AESTHETICS IN AMERICAN CULTURE

    WE MADE LEMONADE: BLACK WOMEN, SYNCRETIC RELIGION, AND VOODOO AESTHETICS IN AMERICAN CULTURE 

    Ndiaye, Ndeye (Georgetown University, 2018-04-19)
    Historically, syncretic religion has never been positively represented with such a broad platform as it has through Beyoncé’s Lemonade. Through the historical origins of the practice with its inception in the Americas and ...

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    AuthorBrowne, Juliette (1)Ndiaye, Ndeye (1)Skeen, Kelly (1)Subject
    African American Studies (3)
    Beyoncé (2)Lemonade (2)Media Studies (2)Art and Museum Studies (1)... View MoreDate created
    2018 (3)
    Typethesis (3)... View More

    Georgetown University Seal
    ©2009 - 2023 Georgetown University Library
    37th & O Streets NW
    Washington DC 20057-1174
    202.687.7385
    digitalscholarship@georgetown.edu
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