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COLORING THE CANON: THE REVISIONIST WORK OF MICKALENE THOMAS
(Georgetown University, 2018-04-19)
American art museums have long been elite, white, male dominated spaces where white, Euro-American women have appeared as merely muses or subjects of artworks. Rarely are women of color represented in the museum in artworks ...
WE'VE BEEN IN FORMATION: BEYONCÉ'S POLITICAL VOICE THROUGH BLACK MUSICAL RESISTANCE
(Georgetown University, 2018-04-19)
You may have known her as a member of Destiny’s Child. You make have known her as the singer behind “Halo” and “Single Ladies.” You may know her as the wife of rapper Jay-Z. However, this senior thesis illuminates Beyoncé ...
WE MADE LEMONADE: BLACK WOMEN, SYNCRETIC RELIGION, AND VOODOO AESTHETICS IN AMERICAN CULTURE
(Georgetown University, 2018-04-19)
Historically, syncretic religion has never been positively represented with such a broad platform as it has through Beyoncé’s Lemonade. Through the historical origins of the practice with its inception in the Americas and ...