Queering the Family Sitcom
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dc.creator | Michaud, Tyler M. | |
dc.date.accessioned | 2018-12-21T16:14:09Z | |
dc.date.available | 2018-12-21T16:14:09Z | |
dc.date.created | 2018 | |
dc.date.issued | 2018 | |
dc.identifier.other | APT-BAG: georgetown.edu.10822_1052867.tar;APT-ETAG: 952346bdc14f3b01d21217ac64e7e5b3; APT-DATE: 2019-04-02_10:03:34 | en_US |
dc.identifier.uri | http://hdl.handle.net/10822/1052867 | |
dc.description.abstract | Almost two decades into the 21st century, television depictions of the chosen family are challenging the more traditional concept of the nuclear family. This essay explores how the pilot episodes of both Grace and Frankie and Crazy Ex-Girlfriend introduce female friendships that eventually blossom into inspirational portrayals of chosen family. In this essay, I will consider the methods that both shows use to disillusion viewers of the notion that heteronormative romantic entanglements are superior to other types of relationships. In traditional television shows, women see other women as competition because they have been trained to correlate their self-worth with how desirable men find them. In Grace and Frankie and Crazy Ex-Girlfriend, women are portrayed as benefiting from genuine female friendship and chosen family rather than compulsory heterosexuality and its signifiers. | en-US |
dc.language.iso | en | en-US |
dc.publisher | Georgetown University | en-US |
dc.title | Queering the Family Sitcom | en-US |
dc.type | Article | en-US |
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Georgetown University’s peer-reviewed Journal of Communication, Culture & Technology (CCT).