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Queer Embodiments, Abstract Drag, and Derek Jarman's 'Blue'
(Georgetown University, 2016)
An adumbration of the defiant queerness of its author, Derek Jarman’s Blue resists categorization. It is a “film without image,” a “visual document without visuals,” and, I argue, a uniquely embodied ethical exchange between ...
Art Is Not Enough! The Artist's Body as Protest
(Georgetown University. Communication, Culture & Technology Graduate Program, 2014)
Peer reviewed journal of communication, culture, and technology