Control of Emotions and Comforting Practices before the Scaffold in Medieval and Early Modern Italy (with Some Remarks on Lorenzetti’s Fresco)

Control of Emotions and Comforting Practices before the Scaffold in Medieval and Early Modern Italy (with Some Remarks on Lorenzetti’s Fresco)
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View/Open: fig. 1: Ambrogio Lorenzetti, Effetti del Buon Governo nel contado,1338-39, fresco, Palazzo Pubblico, Siena (detail of angel and hanged man). (139kB)
View/Open: fig. 2: Ambrogio Lorenzetti, Effetti del Buon Governo nel contado,1338-39, fresco, Palazzo Pubblico, Siena (entire wall). (1.2MB)
View/Open: fig. 3: Francesco di Lorenzo Rosselli (attr. to), Pianta della Catena, 1471-82, later reproduction (detail of scaffold). (206kB)
View/Open: fig. 4: Ambrogio Lorenzetti, Effetti del Buon Governo nel contado,1338-39, fresco, Palazzo Pubblico, Siena (detail of hanged man). (11.kB)
View/Open: fig. 5: Giotto, Desperatio, 1306, Cappella degli Scrovegni, fresco, Padua. (64.kB)
View/Open: fig. 6: Filippo Dolciati (attr. to), Storia di Antonio Rinaldeschi, 1502, tempera on wood, Museo Stibbert, Florence (the hanging of Rinaldeschi). (77.kB)
View/Open: fig. 7: Giotto, Morte di san Francesco, 1295-99, fresco, Basilica superiore, Assisi (entire scene of devil’s face). (138kB)
View/Open: Fig. 8: Giotto, Morte di san Francesco, 1295-99, fresco, Basilica superiore, Assisi (detail of devil’s face). (68.kB)
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2017-01-29
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