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    Cover for On Modes of Digital Embodiment: Movement and the Digital

    On Modes of Digital Embodiment: Movement and the Digital 

    Lepage-Richer, Théo (Georgetown University. Communication, Culture & Technology Graduate Program, 2017)
    Since the 1980s, there has been a growing fascination with the steady increase of the digital information that surrounds us and the interaction between virtual reality and physical space. Films from the 1980s and 1990s ...
    Cover for Channels of Change in South Sudan: Youth Civil Society Organizations and Critical Empathy in Nation - Building

    Channels of Change in South Sudan: Youth Civil Society Organizations and Critical Empathy in Nation - Building 

    Aldehaib, Amel (Georgetown University. Communication, Culture & Technology Graduate Program, 2017)
    Through a case study of the South Sudanese Upper Nile Youth Development Association (UNYDA), the author illustrates how youth have the potential to assist communities in dealing with past and current violence, restoring ...
    Cover for Can Science Fiction Alter the Future?

    Can Science Fiction Alter the Future? 

    Jabbari, Tara (Georgetown University. Communication, Culture & Technology Graduate Program, 2017)
    What are the ethical ramifications and uses of technology? How can we know the dangers of using certain technologies when they do not exist or at least not at the moment? Science fiction reveals the possibilities of what ...
    Cover for The 'Nirbhaya' Movement: An Indian Feminist Revolution

    The 'Nirbhaya' Movement: An Indian Feminist Revolution 

    Bakshi, Garima (Georgetown University. Communication, Culture & Technology Graduate Program, 2017)
    In December 2012, New Delhi witnessed a horrific crime – a female medical student was violently gang-raped on a moving bus and then dumped onto the highway, injured and unconscious. While she didn’t survive the attack, ...
    Cover for A Critical Analysis of Art in the Post-Internet Era

    A Critical Analysis of Art in the Post-Internet Era 

    Gens, Mark (Georgetown University. Communication, Culture & Technology Graduate Program, 2017)
    The ability of technology to transform art, artist, and art world is not a new concept. The impact of digital technology and the Internet is yet another dynamic force. What is taking place is a redefinition of authorship, ...
    Cover for (Deaf)iant Architects: ASL Poetics and Concrete / Corporeal Spatiality in the Deaf Diaspora

    (Deaf)iant Architects: ASL Poetics and Concrete / Corporeal Spatiality in the Deaf Diaspora 

    Pereyra, Jewel (Georgetown University. Communication, Culture & Technology Graduate Program, 2017)
    Bridging connections between avant-garde shape and pattern poetics, from Dadaism to the contemporary L=A=N=G=U=A=G=E page poets, ASL poetry resists and stretches hearing-based modalities of creative exchange and ...
    Cover for Resolving the Incommensurability of Eugenics and the Quantified Self

    Resolving the Incommensurability of Eugenics and the Quantified Self 

    Schaffzin, Gabi (Georgetown University. Communication, Culture & Technology Graduate Program, 2017)
    The “quantified self,” a cultural phenomenon which emerged just before the 2010s, embodies one critical underlying tenet: self-tracking for the purpose of self-improvement through the identification of behavioral and ...

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    AuthorAldehaib, Amel (1)Bakshi, Garima (1)Gens, Mark (1)Jabbari, Tara (1)Lepage-Richer, Théo (1)... View MoreDate created
    2017 (7)
    Typetext (7)... View More

    Georgetown University Seal
    ©2009 - 2023 Georgetown University Library
    37th & O Streets NW
    Washington DC 20057-1174
    202.687.7385
    digitalscholarship@georgetown.edu
    Accessibility